It is not everyday Philippine theater comes up and produces a massive musical production based on a Filipino and Chinese storyline.
So much so when Binondo: A Tsinoy Musical was staged last year based on the original story by producer Ms. Rebecca Chuaunsu, playwrights headed by Ricky Lee, Gershom Chua and Eljay Deldoc with music by Von de Guzman, the expensive production made a great impression that it was re-staged last July 12-14th for only four shows the very least at The Theater Solaire.
We are grateful having been invited to its press preview and TDR technical dress rehearsal a day before D-day.
‘BINONDO: a Tsinoy Musical’ tells the story of how LILY, a Filipina night club singer in pre-Martial Law Manila, and AH TIONG, a mainland Chinese scholar returning to Cultural Revolution-era Beijing, embark on a journey of great love and heartbreak that begins one fated, moon-lit night during the Mid-Autumn Festival of 1972 in the heart of Manila’s Chinatown.
Froilan Dabalus, Christaliza Dabalus (Principal Dancers)
We missed the brilliance and presence of David Ezra, Carla Guevara-Laforteza, Floyd Tena and Tuesday Vargas who were part of the original cast line up due to previous commitments.
Completing the dynamic ensemble are: Cheeno Uy Macaraig, Carlos Deriada, Jr., Daniel Joseph Cruz, Dusty Suarez, Patrick Paul Clark, Randy Rey, Rence Aviles, Romcel Brinquiz, Roy Iringan, Ryan Caraan, VJ Cortel, Xander Pineda, Janine Tolentino, Julia Chua, Precious Sementilla, Divine Dacles, Ricmar Policarpio, Joshua Orbasido, Katlyn Kate Jacob, Cheska Quimno, Jay R Aguvida Calumpiano and Douglas Nierras Powerdance.
I am also happy and proud of my theater and production friends in this musical. Super CONGRATS to you all! 
Ms. Shiela who’s celebrating her 25th year in the industry, and oh my I did not have an idea she’s already that long in the business does it so well as Lily and acting plus singing into her character is like secondary nature to her with such poise and grace and clarity on all her song renditions especially that very sad scene towards the end. While boy-next-door charming Arman who’s back and more lean as Ah Tiong delivered his role admirably well like always! He and Ms Shiela made a very lovely pair in all their scenes throughout the production and were very professional on their romantic moments.
I am a forever fan of Noel aka thirdwheeling Carlos. The very seasoned actor is consistent and sets the bar so high for himself that everytime he steps on that stage, you will get your ticket’s worth of a brilliant performance plus even more! Cheers!
Making her presence so strongly felt is Mariella who reprises her role as Chinese lover Jasmine. Having theater actors as parents is a tall order but Mariella did not disappoint just like in the previous run as the pre-arranged wife to Ah Tiong. Her songs are likewise challenging and were delivered with conviction. I personally enjoy watching her sing and then act.
When I saw Ashlee as love child Ruby perform in last year’s first staging, I told this young girl herself that she has the potential of making it big in theater. A lot of young talents like her needs proper guidance and training to further hone their God-given gifts of sing-dance-act. I am glad she came back and once again did not also disappoint. Keep it up!
Whoever is in charge and designed the colorful traditional Chinese wardrobes I will give one great big HUG of appreciation since Chinese costumes are not easy to make. Their materials and the intricate embroideries and symbolisms in each character demands dedication and utmost artistry. Well done & Kudos!
Some minor technical human error in a production are inevitable especially during TDRs. But once the execution and mixing of the sound, music, and lighting are perfected, the production becomes so enjoyable to watch and feel.
To Jim, Lorenz and Kahlil, you guys are always great to watch onstage. Your funny roles and comedic timing as the Koro made my watching a real pleasure for the third time seeing this awesome musical.
Thank God, it is Dance Genius Mr Douglas Nierras who headed the choreography department. For many years, his artistic works and the demands of his dances are so worth it and a feast to the eye.
I would also like to commend the “bed” used by Lily in her tearful reunion scene with Ah Tiong. It was more practical to use and easier to manage onstage.
“Three” thumbs up for this team: Joel Lamangan (director), Douglas Nierras (choreographer), Joey Nombres (lighting designer), and Otto Hernandez (production designer and technical director) and the rest of the production peeps who work tirelessly behind the stage and curtain to bring us a truly genuine production musical that entertains and inspires us proving that local theater works are so worth to be seen, supported and be given the BRAVO! shoutout it deserves.
